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  • North Honor Society Inductees Sworn In

    Back to Articles News Back to Sections North Honor Society Inductees Sworn In By Garrick Neuner and Craig Papajohn-Shaw Volume 1 Issue 5 February 12, 2021 Original photos by Eva Grace Martinez (top left), Garrick Neuner (top right and bottom right), and Lori Belbol (all others) This year sophomores, juniors, and seniors were inducted into subject area honor societies through a virtual induction ceremony on Wednesday, February 10th. The proceedings mark nearly a year since the closure of the school district due to COVID-19, bringing one of the largest events to the school since 2020. The event kicked off with an introduction by Assistant Principal Mrs. Jennifer Buonaspina and the National Anthem performed by singer Garrick Neuner. Inductees then proceeded to read their oaths from the comfort and safety of their homes, allowing for the massive event to take place, just a week after the National Honor Society Induction was also held virtually. Held on February 3rd, the NHS induction was led by advisors Ms. Lori Belbol and Ms. Patricia Hirsch, as well as the elected officers, including President Pratiksha Kaur. About 50 of North’s juniors and seniors were sworn into the prestigious organization. Applicants were required to maintain an average of 90 or above throughout their high school career while balancing time-intensive extracurriculars. Selected individuals comprised of students who exemplified the qualities of service, character, and leadership both inside and outside the classroom. Congratulations to all those selected for membership in North’s honor societies! Click to view the Honor Society Program designed by Alena Moreira Pictured: Inductee Eva Grace Martinez (top left) National Honor Society Officer Pratiksha Kaur (bottom left) Principal Rachel Green and National Honor Society Officers (top middle) Gallery of virtual inductees (middle) Vocalist Garrick Neuner performing the Star Spangled Banner (middle bottom) Quizmaster and Rho Kappa Officer Peter Mura (top right) Distanced officers awaiting their turn to present in the cafetorium (bottom right) BACK TO TOP

  • An Artistic Escape

    Back to Artwork Heckscher Back to Sections An Artistic Escape Entry 3 April 14, 2022 Mixed Media Volume 2 Issue 6

  • Sarah Wilder - Lights On for Education

    Back to Artwork Lights On for Education Back to Sections Sarah Wilder - Lights On for Education By Sarah Wilder April 22, 2021 Marker Volume 1 Issue 7

  • The Compliment of Green - 2

    Back to Artwork Prism Back to Sections The Compliment of Green - 2 By Olivia Muscatelli November 24, 2020 Volume 1 Issue 2

  • Nightmare on Main Street- Isabella Mascetti

    Back to Artwork Nightmare on Main Street Back to Sections Nightmare on Main Street- Isabella Mascetti Isabella Mascetti November 6, 2023 Pen Volume 4 Issue 1

  • Volleyball Clinics

    Back to Articles Sports Back to Sections Volleyball Clinics By Aleeza Dhillon Volume 2 Issue 4 February 10, 2022 Original photography by Aleeza Dhillon For the past few weeks, our school district has hosted volleyball clinics to improve the skills of seventh and eighth graders. With help from the volleyball coaches at all schools and older students, all participants have improved. We started by teaching the girls all the skills they would need to be the best they could be on the court. After that, we scrimmaged with them, which gave the coaches a sense of what they needed to work on. By the last session, the girls were playing actual games and displaying successful use of their skills. I attended many of these sessions, and the improvement was apparent. Not only did these girls become better players, but they also became better friends. On and off the court, their sportsmanship and friendship were evident. They bonded with each other through their love for the same sport. No doubt they will make selections for the next volleyball season much harder for all coaches! BACK TO TOP

  • The Trials and Tribulations of Modern Horror

    Back to Articles Entertainment & Media Back to Sections The Trials and Tribulations of Modern Horror By Alain Deen Volume 3 Issue 1 November 7, 2022 Image provided by Den of Geek Over time, horror has evolved to be one of the most revered genres of film of all time. From the earliest days of horror classics to the modern, brutal uprise of savage thrillers today, horror as a genre has simultaneously seen some of the worst and best films of all time. There are various sub-genres to horror, as it has branched out into many vessels. For instance, the earliest days of horror include Alfred Hitchcock’s psychological horror films. These films involve mental, emotional, and psychological states to frighten and unsettle audiences. For instance, Psycho and The Birds fit this description as they are two of the most well-known psychological horror films of our time. It is worth noting that psychological horror often overlaps with psychological thrillers, which are often more associated with mystery. What made Hitchcock’s films so unique was his elements of suspense, placing him into a category of his own in terms of horror. Hitchcock’s influence is reflected in the darker themes of modern horror, which have had mixed reviews amongst audiences. Since then, horror films have become increasingly gory, savage, and gruesome. For instance, slasher films rose to prominence in the 1970s and 1980s, including cult classics Halloween (1978) and The Texas Chain Saw Massacre (1974). These films took a less psychological approach and involved abhorrent visuals and cheesy murder sequences to frighten audiences. Modern horror films often involve both aspects, like 2007’s breakout Paranormal Activity . More recently, however, the line between horror as an art form and horror as a money grab has grown exceedingly thin. It is widely argued that modern horror movies pale in contrast to their predecessors for a variety of factors. Primarily, however, is the desire for profit. Most modern horror films seek to profit from merchandising, Halloween costumes, and other vessels of fan buzz. Additionally, it is worth noting that films produced today tend to boast the latest technological advancements to bolster the theatrical elements in a more realistic fashion, which does not resonate well with viewers. In other words, most horror lovers prefer gut-wrenching horror produced by practical effects as it is perceived as the most authentic. In terms of modern horror, innovative technology presents exceedingly realistic gore, monsters, and supernatural figures by way of special effects. As mentioned earlier, modern horror is widely contested amongst audiences and film critics alike. This highlights the fickle nature of the horror genre, as it seems to be a case of nostalgia overriding rationality. For example, the setting of 70s and 80s horror films alone contributes to their acclamation. Middle-aged adults exhibit exceeding levels of nostalgia when watching the fashion within these films, along with the funky scores of the late 20th century. However, it must be noted that the 2000s have seen some intriguing, suspense-filled horror films such as Us (2019) and Get Out (2017) These films reflect a more subtle form of horror. In contrast to 20th classics, modern horror films feature diverse films with complex and nuanced plots. This sharpens the edge between horror and reality, leaving viewers at the edge of their seats. In regards of modern horror tribulations, reboots tend to tarnish the reputation of once revered classics, namely the Halloween franchise. For instance, 2021’s Halloween Kills received lackluster reviews, with most critics naming it a sloppy money grab with no real passion, depth, or insight into the being that it is Michael Myers. The same concept applies to 2022’s Scream reboot. However, unlike Halloween Kills , Scream utilized a combination of brilliant performances, blood-curdling gore, and a slightly nuanced plot. Overall, the future of horror is looking bright, with more nuanced plots, fewer reboots, and more innovative screenplays, horror is on the rise. Who is to say this new era of horror will not haunt us more than Hitchcock’s rampant birds? BACK TO TOP

  • Portfolio - Francheska Martin-Quesada

    Back to Artwork Portfolio Back to Sections Portfolio - Francheska Martin-Quesada By Francheska Martin-Quesada June 13, 2022 Sharpie Volume 2 Issue 7

  • *Period*

    Back to Articles Polaris Back to Sections *Period* Madison Thomas Volume 5 Issue 3 January 14, 2025 Image Drawn by Madison Thomas BACK TO TOP

  • Corkscrew Contour Line

    Back to Artwork Art Guild Back to Sections Corkscrew Contour Line By Elizabeth Andre November 24, 2020 Graphite Volume 1 Issue 2

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